I’ve only made it out to a small tiny slice of the shows offered in the Fringe this year, but thanks to my other life as a bartender I saw four performances of Gay Mis and it might be the best show of the fesitval. Gay Mis, if it isn’t obvious, is a queer, drag queen-infused parody of Les Miserables created, produced and performed by Eric Jaffe along with a stunning cast. It’s a follow up of sorts to Thweeney Todd: The Flaming Barber of Fleek Street. Gay Mis is a colossal offering and I haven’t stopped thinking about it all week.
Let me cut right to the cheese: this show is dumb. The jokes are wonderfully stupid, and at times fabulously obvious, a line that evokes explosive applause one night brings out a symphony of groans for the next. This show has the kind of jokes where you’re kicking yourself because you didn’t see them coming. I love it. If I wrote you a list of all the songs in Les Mis and you had to guess the names of the parody version, I’m sure you would get a few of them right. We’d probably all get One Day More right. But here’s the trick...they’re still doing the songs. All the hits are there: I Dreamed a Dream, On My Own, Bring Him Home, you know, powerhouse songs. The words are different and they’re stuffed with gags, but this cast still hits all of those notes.
It’s Fringe Season in Philadelphia! For the next three weekends the city will be drenched in culture and creativity. Performances take place all over the city and the best of them stretch the boundaries of what we think is possible in the theater. This guide is a list of shows that I’m excited about because they’re diving into the intersection between games and performance. Some of these pieces and their creators are very well known to me; others are complete mysteries. All of them catch some curiosity of mine around presenting theatre in new ways that create investment and agency for the audience.